Created by bdesham with GNU LilyPond and post-processed with GraphicConverter. The original version of this image was made by en:User:Hyacinth. The fs in the image are those designated by Curtis as "final". The sources listed at that image page are:
Judd, Cristle Collins (ed.) (1998). Tonal Structures of Early Music. New York: Garland Publishing. ISBN0815323883
The musical notation in this image was rendered by LilyPond, a free-software engraving program. Here is a listing of the LilyPond source used to create this file.
\version "2.16.0"
tune = \relative c' {
\clef treble
\key c \major
\time 8/1
% prevent bar number display on the second line
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 100)
d1^\markup{\large{\bold{1. Dorian}}}_\markup{\large{\bold{f}}} e f g a b_\markup{\large{*}} c d
e,^\markup{\large{\bold{3. Phrygian}}}_\markup{\large{\bold{f}}} f g a b c d e
f,^\markup{\large{\bold{5. Lydian}}}_\markup{\large{\bold{f}}} g a b_\markup{\large{*}} c d e f
g,^\markup{\large{\bold{7. Mixolydian}}}_\markup{\large{\bold{f}}} a b c d e f g
\break
a,,^\markup{\large{\bold{2. Hypodorian}}} b_\markup{\large{*}} c d_\markup{\large{\bold{f}}} e f g a
b,^\markup{\large{\bold{4. Hypophrygian}}} c d e_\markup{\large{\bold{f}}} f g a b
c,^\markup{\large{\bold{6. Hypolydian}}} d e f_\markup{\large{\bold{f}}} g a b_\markup{\large{*}} c
d,^\markup{\large{\bold{8. Hypomixolydian}}} e f g_\markup{\large{\bold{f}}} a b c d
}
#(set-default-paper-size "letter" 'landscape)
#(set-global-staff-size 22)
\score {
\new Staff \with { \remove Time_signature_engraver} { \tune }
\layout {
\context {
\Score
\override SpacingSpanner
#'common-shortest-duration = #(ly:make-moment 1 2)
}
}
}
\markup{\large{* Under certain conditions, the B is flattened in modes 1, 2, 5, and 6.}}
\paper { indent = 0\mm }