Library of Congress

• Catalog: https://lccn.loc.gov/2012645187
• Image download: https://cdn.loc.gov/service/pnp/ppmsca/32200/32217v.jpg
• Original url: https://www.loc.gov/pictures/item/2012645187/

No known restrictions on publication.

この画像はアメリカ合衆国議会図書館の印刷物・写真部門から入手できます。デジタル識別子は ppmsca.32217 です。 このタグは、添付された著作物の著作権状況を示すものではありません。通常の著作権タグも必要です。Commons:ライセンシングもご覧ください。 العربية ∙ беларуская (тарашкевіца) ∙ বাংলা ∙ čeština ∙ Deutsch ∙ English ∙ español ∙ فارسی ∙ suomi ∙ français ∙ galego ∙ עברית ∙ magyar ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ lietuvių ∙ македонски ∙ മലയാളം ∙ Nederlands ∙ polski ∙ português ∙ português do Brasil ∙ română ∙ русский ∙ sicilianu ∙ slovenčina ∙ slovenščina ∙ Türkçe ∙ українська ∙ 简体中文 ∙ 繁體中文 ∙ +/−

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• K66799 U.S. Copyright Office.
• Title devised by Library staff.
• Signed in pencil.
• Alternate title published in: American prints in the Library of Congress, p. 272, #7.
• American prints in the Library of Congress : a catalog of the collection / compiled by Karen F. Beall... Baltimore : Johns Hopkins Press, 1970, p. 272, #7
• Exhibited: "Sakura : Cherry Blossom as Living Symbol of Friendship" in the Graphic Arts Gallery, Thomas Jefferson Building, Library of Congress, Washington, D.C., 2012.
• Exhibit caption: After Japan expanded several ports to trade and commerce by Western powers in the 1850s, Western appreciation of Japanese art quickly followed. In 1872, French collector and printmaker Philippe Burty coined the term japonisme, which came to describe the work of Western artists influenced by Japanese aesthetics and subject matter. Notable American practitioners included Bertha Lum (1869-1954) who studied in Tokyo with master block cutter Bonkotsu Igami (1875-1933) during an extended visit to Japan in 1907.