ファイル:A Kaag Coming Ashore Near a Groyne with Ships and Vessels Under Sail Beyond RMG BHC0896.tiff
元のファイル (5,336 × 7,200 ピクセル、ファイルサイズ: 109.92メガバイト、MIME タイプ: image/tiff)
ウィキメディア・コモンズのファイルページにある説明を、以下に表示します。
|
概要
A Kaag Coming Ashore Near a Groyne with Ships and Vessels Under Sail Beyond | |||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
作者 |
|
||||||||||||||||||||||||||
作者 |
Willem van de Velde, the Younger |
||||||||||||||||||||||||||
タイトル | |||||||||||||||||||||||||||
分野 |
絵画作品 object_type QS:P31,Q3305213 |
||||||||||||||||||||||||||
ジャンル | 海洋アート | ||||||||||||||||||||||||||
解説 |
English: A Kaag Coming Ashore Near a Groyne with Ships and Vessels Under Sail Beyond In this small painting, van de Velde portrays a sunny day on the Dutch coast. The distant landscape, visible on the left, may represent the island of Texel close to Den Helder, north of Amsterdam. A small kaag is being beached beside groynes or breakwater. She shows a starboard-bow view and her mainsail and foresails are lowered. A man is standing, in the water, by her mast with his back to the viewer and facing other sailors who are in the boat. The figure, on the right, is leaning over the side of the vessel holding a fender. The other figure, on board, is attending to the mast. On the right of the painting a man is dragging a roller which will be placed under the bow of the kaag to help move her up the beach. Another roller and a plank or rudder is shown in the right foreground. Kaags were a type of cargo vessel designed for use on inland waterways, with a straight stem, a sternpost and a wide angle between the keel and the stern. Often they were used as ferries or lighters on the Zuider Zee and conveyed cargo to and from seagoing ships. Just beyond her, to the right, another small kaag is being poled off the shore with her mainsail and foresail set on the port tack. Beyond these two vessels is a small ship flying the Dutch flag, with fore mainsails loosed, firing a salute to port. Behind the groyne, on the right, are the sails of several other ships. The largest ship is shown in port-bow view, with her sails loosed, including spritsail and a main topgallant. A large cumulus cloud dominates the composition to the left and there is land visible in the left background. The sun and the light breeze come from the left of the picture. The painting is suffused with light which creates a sense of calm and tranquillity. Light catches the tops of the clouds, the sails of the boats and the reflection of the nearest kaag in the water. The groyne has been used as a device to divide the painting with the kaags on the foreshore to its left and the larger boats in the distance on its right. Robinson considered this picture to be an unusually freely painted early work by van de Velde. If the date has been read correctly then the painting was executed only a few years after van de Velde was working in Simon de Vlieger’s studio in the early 1650s. However the ‘round’ form of the signature may indicate a later date. Although Robinson points out that van de Velde has not signed this painting with an additional ‘J’ (for Jonge) which he adopted around 1678. The canvas has been cut on the left edge as well as along the top edge, suggesting that the composition may originally have been either square or horizontal. Whilst, the painting has been reduced in size, it would still have been smaller than most painted by van de Velde either at this time or, indeed, through the 1660s. Even though, the craft depicted are identified types, they do not provide the same focus as the vessels in van de Velde’s ‘parade’ paintings (as in BHC0910). The overall effect depends upon the play of sunlight on the sails, the water and the distant dunes which suggests the interests of a landscape painter rather than a ship painter. Van de Velde's debt to de Vlieger, which he shared with Jan van de Cappelle, is evident in the reflections in the water and the wet sand. Van de Velde returned to this kind of subject even when living in England, as can be seen in 'The Dutch Coast with a Weyschuit', possibly painted much later, around 1690. Van de Velde was the younger son of Willem van de Velde the Elder. Born in Leiden, he studied under Simon de Vlieger in Weesp and, in 1652, moved back to Amsterdam. He worked in his father's studio and developed the skill of carefully drawing ships in tranquil settings. He changed his subject matter, however, when he came with his father to England in 1672-73. Increasingly he concentrated on royal yachts, men-of-war and storm scenes. From this time painting sea battles for Charles II and his brother (and Lord High Admiral) James, Duke of York, as well as other patrons became a priority. Unlike his father's works, however, they were not usually eyewitness accounts. After his father's death in 1693 his continuing role as an official marine painter obliged him to be present more frequently at significant maritime events. The painting is signed and dated 'W. V.Velde 1654' on the pole in the foreground. |
||||||||||||||||||||||||||
日付 |
1654年 date QS:P571,+1654-00-00T00:00:00Z/9 |
||||||||||||||||||||||||||
技法 | 油彩 / キャンバス | ||||||||||||||||||||||||||
寸法 | Frame: 443 mm x 375 mm x 57 mm;Overall: 2.6 kg;Painting: 292 mm x 216 mm | ||||||||||||||||||||||||||
所蔵者 |
institution QS:P195,Q7374509 |
||||||||||||||||||||||||||
所蔵 | |||||||||||||||||||||||||||
台帳番号 |
BHC0896 |
||||||||||||||||||||||||||
備考 | Signed and dated on the log in the foreground ‘W.V.Velde 1654’ | ||||||||||||||||||||||||||
参考文献 | |||||||||||||||||||||||||||
情報源/撮影者 | http://collections.rmg.co.uk/collections/objects/12388 | ||||||||||||||||||||||||||
許可 (ファイルの再利用) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
||||||||||||||||||||||||||
Identifier InfoField | Acquisition Number: 1942-85 Spoliation ID: 22188 id number: BHC0896 |
||||||||||||||||||||||||||
Collection InfoField | Oil paintings |
ライセンス
このファイルは、パブリックドメインの状態にある平面的な美術の著作物を写真術によって忠実に複製したものです。このような複製はアメリカ合衆国においてパブリックドメインの状態にあります。その他の地域では再利用に制限がかかる場合があります。詳しくはReuse of PD-Art photographsをご覧ください。美術の著作物としての原図は、次の理由によりパブリックドメインの状態にあります。
|
image/tiff
f987b14b4231776a3b33fd54039869479655cf2a
115,257,740 バイト
7,200 ピクセル
5,336 ピクセル
1
ファイルの履歴
過去の版のファイルを表示するには、その版の日時をクリックしてください。
日付と時刻 | サムネイル | 寸法 | 利用者 | コメント | |
---|---|---|---|---|---|
現在の版 | 2017年9月19日 (火) 03:10 | 5,336 × 7,200 (109.92メガバイト) | Fæ | Royal Museums Greenwich Oil paintings (1654), http://collections.rmg.co.uk/collections/objects/12388 #1005 |
ファイルの使用状況
以下のページがこのファイルを使用しています:
グローバルなファイル使用状況
以下に挙げる他のウィキがこの画像を使っています:
- en.wikipedia.org での使用状況
- www.wikidata.org での使用状況
メタデータ
このファイルには、追加情報があります (おそらく、作成やデジタル化する際に使用したデジタルカメラやスキャナーが追加したものです)。
このファイルが元の状態から変更されている場合、修正されたファイルを完全に反映していない項目がある場合があります。
画像の幅 | 5,336 ピクセル |
---|---|
画像の高さ | 7,200 ピクセル |
画像のビットの深さ |
|
圧縮の種類 | 無圧縮 |
画素構成 | RGB |
画像データのロケーション | 140 |
コンポーネント数 | 3 |
1ストリップごとの行数 | 7,200 |
ストリップの総バイト数 | 115,257,600 |
画像データの並び | 点順次フォーマット |